My leather-bound "Ichabod Crane" journal and brass-ferrule dip pen with peacock feathers on top of my "Virginia Woolfe" writing tablet, replete with ink holder, vintage ink bottle--and rose cyclamen ink! The tablet was especially created for me by antique dealer and restorer Gerry Esposo, father of Lady, a former college student of mine.

2006 Book-Signing at Tiendesitas, Pasig City, sponsored by Anvil Publishing, Inc. Photo by fellow-writer and colleague Boy Martin. My writing "paraphernalia," as Boy calls them, from Left to Right: portable neo-classical mahogany campaign desk organizer with miniature drawers and shelves; paraffin oil lamp; silver seal ring; goose-feather quill pen; brass Italian monogram seal; tin box of sealing wax sticks, Sailor ink bottle with orange fountain pen ink; and portable campaign writing box; all on top of my green satin gypsy tablecloth embroidered with gold stars. I bring my own cloth because co-sponsors are alarmed whenever I spill sealing wax and fountain pen ink.

In this photo I am signing a book for Boy, wearing my signature antique "vampire" bat ring with a black star sapphire from Khabul. A fan is reading a volume from my Sitio Catacutan Series in the background. Yes, I do wear glasses when I read, write, and paint, but I can manage without distance glasses.

After signing this book Boy and I had a long conversation about our country's current political and economic situation, and how the efforts of our classmates Emman Lacaba, Bill Begg, and company, who were tortured and killed during the early martial law years, seem to have come to naught.

Sunday, June 14, 2009

A kingdom of colors--Danton Remoto
REMOTE CONTROL Danton Remoto 12/23/2008 1:31 AM
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One bright spot in the bleak national landscape is the writing and production of children’s books. Recent harvest shows that the bumper crop continues, and will likely to do so in the next years. The best of these books introduce values without the leaden moral lessons and pieties that deaden one’s sensitivity.

Colors in Mindanao

The beauty of colors is also found in Tony Perez’s interactive children’s book, Inang Bayan’s New Clothes (Mga Bag-ong Sinina ni Inahang Nasod) illustrated by Frances C. Alcaraz (Anvil Publishing). The book is funded by a grant from Ambassador Kristie Kenney of the U.S. Embassy, which help was acknowledged by the Manila Critics Circle’s National Book Awards in its awarding ceremony at the book fair last year. I am one of the members of the Manila Critics Circle.The setting is Mindanao and the characters are the young girls Feliza (Christian) and Nurhana (Muslim). If you think this is one of your mindless we-are-sisters-we-are-one tra-la-la, think again. Perez is one of our best writers, and this book shows us why.Feliza and Nurhana meet Inang Bayan on the road, the implication being that Inang Bayan’s journey is never done. Inang Bayan is wearing rags for clothes, and all her accessories come from foreign places. They bring her to a dress show and make new clothes for her.“Feliza created a flower-printed skirt from Quezon with a matching tapis from Iloilo, to go with wooden clogs from Quezon and a salakot from Cavite. . . .” They also give her the three other dresses she has request. A black dress, “to remember those who experienced violence, those who faced danger, and those who suffered for their country. . . a second white dress for my children who are noble of heart, who believe in peace, who encourage religious tolerance, and who are blessed by their Creator.”The last dress is the one I like best: “blue, red, and gold, for my brave children who believe they can live united in peace under one great Philippine nation. And so Feliza and Nurhana created for Inang Bayan a dress in blue, red, and gold. Nurhana’s blue was like the sky and sea. Feliza’s red was like roses, and rubies, and ripe apples. Their gold was like the fiery power of the sun, of dignity, of royalty.”In war-torn Mindanao, such stories deserve to be told, and re-told.